When Michael Pollock asked me to tackle the subject of common mistakes to avoid in musical improv, hundreds popped up, so I waited four months or so. Once I’d paid off my Christmas mistakes and had gotten used to the world’s cutest puppy, I finally had some time to just sit with the laptop. So I posted a bunch of high school pictures on Facebook. After that, I dawdled, did some shows and ate a pizza. Finally, I got off my ass and focused on good sir Michael’s request and came up with this:
Around the city of Los
Continue reading Five Conceptual Mistakes
Many long-form musicals suffer from a common illness – they get off to a great start, and then lose their way. The audience may still be entertained if the actors maintain wit and good cheer throughout, but no spectator will have that reaction we yearn for – the delighted, giddy sense of having seen a MIRACLE. It’s a tall order, I know. Poor me, I always feel regretful about a performance that doesn’t really “win the game.” Winning means creating a musical that holds together like the real thing, top to bottom. The most expert improvisation of solos, duets,
Continue reading Defeating a Big Bad Problem with Improvised Musicals
Whether it’s an improvised song, a show comprised of songs (a revue) or a long-form musical – make it a priority to learn how much is enough, because too much can be deathly. As my composition and arranging teacher, Dick Grove, once said of songwriting, “The longer your song, the greater will be its tendency to suck.” The same is true of any form of entertainment – to report that a movie was “long” is almost as bad as saying that it was just horrible.
Well, there we were in the Mediterranean Sea – the Impromptones on Crystal Cruises.
Continue reading An Impromptones Horror Story at Sea
|
-
How to Write Funny Lyrics: The Comedy Songwriting Manual
From concept to finished product, this unique guide shows the way to create lyrics that make audiences laugh. Clear, friendly style of instruction is entertaining and easy to understand.
It was written expressly for comedy writers who need to know how to build solidly-crafted lyrics that any composer can readily set to music. It also explains exactly how to proceed if you’re not already a comedy expert.
This is a cool gift for any aspiring or professional songwriter, and an unusual addition to any lyricist’s library.
Below is the table of contents and an excerpt of the book
Chapter
Continue reading How to Write Funny Lyrics: The Comedy Songwriting Manual
|
