Tips for Accompanists: “Cueing a Song” in a Long-Form Musical

Sami Klein, Shulie Cowen, Hillary Rowe in "Opening Night: The Improvised Musical"

When do you “cue a song?” Well, anytime a character experiences a moment of is a good time for them to sing. Also, listen for emphatic statements that can be expanded upon in song, for example, “You and me are the sleaziest cops in town,” or “There’s a lotta ways to make money in New York, my friend!” And here’s one more: “Come on everybody, we’re gonna throw the best barbecue ever!” You’re looking for bold proclamations of feelings and points of view – perfect moments for actors to exploit by singing.

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